It’s tapestry month this November at Central Library

Golden Threads reawakened – weaving a legacy

Central Library are delighted to be displaying through November an amazing community woven tapestry, Golden Threads, created by a group of amateur weavers based in Edinburgh. Find this beautiful display in the main staircase cabinets at Central Library.

The tapestry has a very interesting story taking its name from the golden threads it uses that were collected by the German Jew Hedwig Philip and that have not seen the light of day for some thirty years. Hedwig and her husband left Berlin in 1941, narrowly missing the Holocaust, travelling to join family in Pennsylvania.

Photo of Hedwig and the contents of her needlework box not opened for 70 years

Hedwig was a skilled needlewoman: she collected golden threads and embroidered a Torah Mantle for the local synagogue. In 1951 Hedwig travelled with all her belongings to Britain to join her daughter in Newcastle, dying not long afterwards. Hedwig’s box of threads, unopened, was passed from her daughter to her granddaughter, Cathie Wright.

Photo of Golden Threads tapestry

Cathie wanted something purposeful and interesting to be done with the threads. This secular tapestry pays homage to Hedwig’s story using her historic golden threads woven together with contemporary red and gray yarns. The tapestry Golden Threads is divided into sixteen panels designed by the sixteen amateur weavers Judith Barton, Sandra Carter, Sarah Clark, Barbara Clarke, Sylvia Davidson, Jackie Grant, Elspeth Hosie, Joan Houston, Kirsteen Kershaw, Joan MacLellan, Irene McCombe, Francesca McGrath, Lindi McWilliam, Serena Naismith, Anita Nolan, Hilary Watkinson and Ann Smuga. Together the panels pay homage to Hedwig’s story but the quantity and beauty of the threads, the heritage and the journey travelled, called for something more. The result is a modern, secular tapestry incorporating these historic golden threads, drawing on themes of Jewish heritage, refugee travel and survival, conflict avoidance, building bridges and seeking a better world with hope for a brighter future.

To quote from Cathie,

“This is a community enterprise that takes the threads from one spiritual tradition to universal themes that celebrate life and survival”.

The tapestries are woven with contemporary materials (wools and cottons) supplementing the old golden threads. They are joined with an overlay of golden braid which also came from Hedwig’s box. The overall size of the composite tapestry is 30 inches square. Thanks also to professional tapestry artists Joanne Soroka and Jo McDonald.

Supporting the display of the Golden Threads tapestry are books on tapestry weaving from the Art and Design Library.

Art of Tapestry author talk with Helen Wyld

If you enjoy looking at the Golden Threads tapestry and want to learn more about the art of tapestry come and hear author and Senior Curator of Historic Textiles at National Museums Scotland, Helen Wyld, deliver a free illustrated talk about her new book The Art of Tapestry. The book explores the National Trust’s collection of historic tapestries and brings new perspectives to the history of tapestry across Europe.

The Art of Tapestry with Helen Wyld will take place on Tuesday 22 November from 6:30 to 7:30pm in the George Washington Browne Room at Central Library.
Book your free ticket via Eventbrite.

Dreams by Molly Kent – September exhibition in the Art and Design Library

The Art and Design Library are thrilled to have rising star of the contemporary art world, Molly Kent, as the September exhibitor with an exhibition of tapestry and weaving entitled “Dreams”. 

Dreams by Molly Kent

Based in Edinburgh, Molly is a recent graduate of Edinburgh College of Art, where she received a Master of Arts with First Class Honours. She worked throughout her college years as a Library Adviser in the Art and Design Library, so the exhibition also marks a homecoming of sorts!

Molly is a textile artist concerned with representing notions of mental and physical health through mediums such as rug tufting and weaving. She portrays contemporary existence regarding social media and internet living and the effects this has on our perception of self. This stems from her personal experiences of her mental health condition CPTSD but also reflects on wider anxieties and fears that have come to attention as a result of the COVID-19 pandemic.

When will we be free? by Molly Kent

At the beginning of 2021, after experiencing an episode of ill mental health, Kent’s work shifted towards a new project Dream Weaving. Dream Weaving is a multi-award winning body of work that records dreams and nightmares experienced by the artist as a result of her mental health condition. This series of work features recurrent themes of falling, extreme weather and digital anxieties and offers a critical insight into how dream psychology can tell a lot about the inner workings of a person. The work is inspired by symbolism, mysticism, myths and legends alongside personal symbols of the trauma she suffered that led to her diagnosis. The Art and Design Library exhibition features work from this series.

Paranoia by Molly Kent

Molly has exhibited internationally, having contributed to exhibitions such as WORD OF MOUTH at the Venice Biennale 2019, which then toured to Australia, as well as various exhibitions across Scotland and the UK.

Her artwork is held in public and private collections worldwide, including the University of Edinburgh’s Art Collection, and the National Museum of Australia amongst others. She is represented by newcube, and if you are interested in learning more you can contact them at info@newcube.art

“Dreams” opens on 2 September 2022 and runs through the month in the Art and Design Library at Central Library.  We look forward to seeing you there!

What now? by Molly Kent

A stitch in time – WEA tapestry commemorates Central Library’s history

Today at Edinburgh Central Library, we are celebrating the completion and display of a tapestry marking our 125th anniversary. The Workers’ Educational Association Stitching Times group embroidered the tapestry. They began work in the autumn of 2015 – the 125th anniversary year of the opening of the library.

Central Library – 125 years in stitch

Founded in 1903, the Workers’ Educational Association (WEA) is a charity dedicated to bringing high quality, professional education into the heart of communities. WEA are the UK’s largest voluntary sector provider of adult education. Their goal is to widen participation in education and they are committed to education with a social purpose.

Archie Campbell, WEA Area Education Manager says:

“The WEA’s Scottish headquarters is in Edinburgh and we have been very fortunate to have built up a strong and mutually beneficial relationship with Edinburgh Central Library. This partnership goes back several decades and is one WEA feel privileged to be involved in and are keen to nurture and develop. Learners circumstances, learning requirements and the ways they learn (in particular the use of I.T.) change over the years but the WEA will always look to work closely with Central Library to ensure learners are able to access high quality adult education opportunities in a friendly and welcoming environment. The beautiful tapestry the WEA Stitching Times group have produced is fitting testament to this and we are absolutely delighted it is to take pride of place at the library and be viewed by so many library users and visitors.”

Rebecca Mackay, who leads the Stitching Times group added:

“The WEA Stitching Times group began about six years ago with a project for the Museum of Edinburgh, and we call ourselves Stitching Times because our community projects over the years have had an historic connection which we not only stitched into a visual expression but also researched. Our group has its work in the collections of the Museum of Edinburgh – notably in conjunction with their Maude Pentland archive – and on display at Riddles Court. Our commemoration tapestries for the Women of World War One have been exhibited across the country at numerous Library and WEA events. It was a great honour when the Central Library and the WEA approached us with a request to develop an embroidered tapestry celebrating 125 years of Edinburgh Central Library. We are delighted with its completion. It has been a labour of love by many hands.”

‘EPL’ detail taken the gates at main entrance

The tapestry is on display on the main staircase at Central Library. It shows some fantastic details from the library’s history including Daisy Carnegie, the library cat, and the only baby born in the library.

A stitch in time

Central Library and WEA Edinburgh (Workers Education Association) are coming together on a new project to create an embroidered banner commemorating Central Library’s 125th anniversary. While exploring different embroidery techniques to be applied to the banner, the class will also research many of the Library’s historic and contemporary facets. A number of these stories will be expressed in the banner’s design. The group first met back in March and had a general discussion about what would be feasible, even if in fact, the library could provide enough inspiration and creativity.

Stitching group at Central Library

Stitching group at Central Library

Everyone very quickly agreed that 125 years of engaging people from all walks of life with the love of reading was well worth celebrating. In June, after an informative tour of the building, close encounters with some fabulous library treasures, discussions of which authors to include, and how to capture the past, present and future of the library, it was over to artist and group tutor, Rebecca Mackay to design the cartoons. By early September the cartoons were transcribed onto fabric and the stitchers were off!

The cartoon for the central panel, which includes some library essentials, including Daisy, the library cat sitting on Andrew Carnegie's shoulder.

The cartoon for the central panel, which includes some library essentials, including Daisy, the library cat sitting on Andrew Carnegie’s shoulder.

Keep up to date with developments at the Progress of a Needle blog which is charting the project from inception to completion.  Or even better, pop down to the Edinburgh and Scottish Collection one Tuesday morning and have a look for yourself!