‘What if?’ Art Library exhibition for July 2017

The latest Art & Design Library exhibition poses the question, ‘What if?’

We know that homelessness is not inevitable. We know that together we can end it. In Crisis’ landmark 50th year, Art in Crisis considers the proposition ‘What If’ through the eyes of their clients, with pieces examining the past, considering the present and looking to the future.

To capture these symbolic images, Crisis clients and local photographer Alicia Bruce were inspired by classic Dutch still life paintings and still life photography.

The Art & Design Library exhibition forms part of Art in Crisis’ national programme of public events presenting compelling, original artwork made by artists experiencing homelessness.

‘What If?’ exhibition by Art in Crisis runs from 4 to 29 July 2017.

 

Art and Design Books of the Week

The Art & Design Library recommends some reading from their series of Books of the Week:

Australia’s Impressionists
Australia’s Impressionists focuses on the paintings of Tom Roberts, Arthur Streeton, Charles Condor and John Russell.

This beautiful book challenges our preconceptions of what is meant by Impressionism, enriches our understanding of Australian art and reveals the international nature of art historical movements and exchanges in the nineteenth century. The story is framed by unmistakably Australian subjects and location, a preoccupation with light and colour, and the context of Australian identity and sense of nationhood.

The Global Contemporary
The Global Contemporary and the Rise of New Art Worlds documents the globalisation of the visual arts and the rose of the contemporary over the last twenty years. Lavishly illustrated, with colour throughout, it tracks developments ranging from exhibition histories and the rise of new art spaces to art’s branding in such emerging markets as Hong Kong and the Gulf States. Essays treat such subjects as curating after the global turn; art and the migration of pictures; the end of the canon; and new strategies of representation.

Jacob A. Riis: Photographer & Citizen
Riss’s images of the slums of New York have influenced every subsequent generation of photographers, while his insightful exploration of the problems of urban life continues to be education for societies around the world. I know of no contemporary work of this general character which gives such an impression of competence, integrity and intensity.

All items are available to loan. Reserve online or pop into Art & Design, Central Library to see what else is available.

Explorers at the Library: Edinburgh Art Festival families programme

This year the Edinburgh Art Festival’s Explorers families programme comes to Central Library for free weekly creative art making sessions suitable for ages 8-13. These sessions are inspired by the EAF artist commissions programme and the ‘Making of the Future’ theme. Join us weekly or drop in for a one-off session to creatively re-imagine your city.

“Tower” by Toby Patterson, Dunfermline 2014

Each session will look at a different artist and include 2D and 3D arts activities such as building a miniature bothy inspired by artist Bobby Niven, designing a modernist city after artist Toby Paterson and creating inflatable giant flower sculptures inspired by artist duo Walker and Bromwich.

All sessions will be held in the George Washington Room within the Central Library

Thu 6 July 2-4pm
Explorers at the Library: Walker and Bromwich
Create your own inflatable sculptures and model dragons inspired by Walker and Bromwich’s Dragon of Profit and Private Ownership.

Thu 13 July 2-4pm
Explorers at the Library: Bobby Niven
Design and build your own miniature bothys and dens inspired by Bobby Niven’s Palmhouse.

Thu 20 July 2-4pm
Explorers at the Library: Shannan Te Ao
Make musical instruments and write your own musical score inspired by Shannan Te Ao’s use of Maori songs and proverbs.

Thu 3 August 2-4pm
Explorers at the Library: Toby Paterson
Make your own 3D collage of a fantasy building, drawing on Paterson’s modernist architectural influences.

Thu 10 August 2-4pm
Explorers at the Library: The Making of the Future
Design and build a miniature installation in the library, of a future Edinburgh city centre inspired by the “grandfather of town planning”, Patrick Geddes.

In celebration of the children’s work the outcomes of each workshop will be exhibited in the Children’s Library for the last week of the festival, 21-27 August.

These sessions are free and all materials are included. Booking is recommended, but not essential. To book call  0131 242 8040 or visit www.edinburghreads.eventbrite.co.uk

sun water oil silver

The Art Library exhibition for June is sun water oil silver by Charly Murray & Javier Ternero.

Charly Murray is Scottish and a painter with a background in book design.

Javier Ternero is a self-taught photographer who aged sixteen, began printing old family negatives found at home, back in Seville, Spain.

Both Charly and Javier have workshops in Leith’s Coburg House a converted Victorian grain warehouse with studios for over 80 artists. For this exhibition, Javier has looked at Scottish landscape and buildings that lend themselves to Victorian printing processes. Charly has concentrated on the plants that grow nearby these buildings to create cyanotypes. Both regulars of the Art and Design library, they find it an invaluable source of information and pleasure. Visit the exhibition and discover the treasure trove of the Art Library for yourself.

sun water oil silver runs from 2 – 29 June 2017.

 

 

 

 

Danish design at the Central Library

May’s exhibition in the Art and Design Library is a something a little bit different.  This month we are showcasing the work of Danish artist Mette Fruergaard-Jensen who creates boxes in metal, wood and resin.

Mette originally trained as a potter, running her own pottery workshop for 25 years. A move to Scotland in 2000 however saw her embrace a new medium and she began to make boxes –

‘In my studio in Coburg House in Leith, Edinburgh I make lidded boxes in wood, metal and resin. My boxes are sculptural. They are all functional, although they are not made for any specific use. I love the silent language of form and materials. Here for this exhibition in the Art and Design Library I am also showing images of how I work and what materials I use. I am especially happy to show my work in the Art and Design Library, as I have spent a great time there looking in books.’

Come along and see Mette’s beautiful work from the 3rd-30th May.

 

A childhood dreamland

The staircase exhibition in Central Library for April is Idyllic Garden in Mind: Childhood Dreamland which uses illustrations from Kate Greenaway’s children’s books. The exhibition was created by Lin Fan, an Art History master’s degree student at the University of Edinburgh.

Fan has selected some beautiful Kate Greenaway books as well as some lovely winners of the CILIP Kate Greenaway Medal from the Library’s collections. Last month, she also held a Garden Book Family Craft Workshop inspired by Kate Greenway’s illustrations and some of the books created by the children will be on display too.

Browse the ‘childhood dreamland’ in the Central Library staircase and foyer display areas from 3 – 28 April 2017.

 

The art of chromolithography!

The Central Library often takes interns or student placements who use our special collections as a focus for their studies. One such student is Becky Sparagowski who completed a project with us as part of her Masters coursework at the Centre for the History of the Book, Edinburgh University.

Becky’s area of interest was “The chromolithographed decorative design books of the Art & Design Library” and in this blog post she explains exactly what chromolithography is!

Becky selecting her research material

Have you ever thought about colour printing? It’s something that’s fairly commonplace now, but when it was first introduced it was revolutionary.

One of the first people to get colour printing – or chromolithography – right was Owen Jones, who is most famous for his design book The Grammar of Ornament (1856). This book set a high bar for chromolithography, and all the books that were published after it tried to meet that standard. While Jones did much work in ornamental design (he was an architect by profession), he is best remembered for his work in chromolithography and the dedication with which he improved the colour printing process.

After Jones’s work, though, colour printing took off, and artists all across

Chromolithograph “Cacatoës et magnolia, bordure. Souris blanches” from L’animal dans la decoration (The animal in decoration) by Maurice Pillard Verneuil & E. Lévy, 1897.

Europe used the medium to produce artistic prints, posters, and, of course, art and design books. The late 19th and early 20th centuries produced a huge number of books with chromolithographic prints, many of which are very intricate and complicated. The work done in these books is even more impressive when you know that in chromolithography, the colours are printed one at a time, making the detailed work in these books incredibly difficult to do!

Chromolithograph “Moresque no.1” from Grammar of Ornament by Owen Jones, 1856

I recently sat down with the Art and Design Library’s wonderful collection of books with chromolithographic printing while working on a research project my MSc course in Book History and Material Culture at the University of Edinburgh. This collection of books – including The Grammar of Ornament – embodies everything that is noteworthy about chromolithography, from the detailed craftsmanship that goes into creating chromolithographic prints to the realisation of Victorian cultural values in the works themselves. They truly are an important – and beautiful – part of the history of the book.

The books can be consulted by contacting the Art & Design Library and you can explore some of Owen Jones’ beautiful prints in our online exhibition, Travel to Perfection: Owen Jones and The Alhambra on Capital Collections.