Edinburgh Libraries is home to a wonderful collection of early photography featuring work by pioneers of the form such as Hill and Adamson and Thomas Keith. Over the summer we put together a series of films highlighting some of the hidden gems in this collection.
The first film features a volume of work by the Edinburgh Calotype Club from 1842, a club who listed William Fox Talbot, the pioneer of the Calotype process, as one of its members. The Edinburgh Calotype Club is the oldest photographic club in the world and we have one of only two photograph albums known to have been produced by the group. The film goes on to explore some of the photos taken David Octavius Hill and Robert Adamson including a fantastic picture of the half-completed Scott Monument taken around 1845.
The second film takes a look at the work of Thomas Keith and Archibald Burns. In this film we’ll see how Edinburgh’s early photographers took inspiration from their city. It also shows how photography was being used as a tool to record social change and was becoming a way to earn a living by fulfilling the tourist demand for souvenir pictures.
Through the work of David Doull and George Morham, film 3 explores the Victorian fascination with studio photography and the camera’s role in family memento.
David Doull was born in Edinburgh in 1831 and was one of the founder members of the Edinburgh Photographic Society in 1861. Doull specialised in studio portraiture and the portraits in this film were taken at his studio in Lauriston Place between 1865 and 1867.
George Morham was an amateur photographer and Central Library is home to one of his family albums which dates from the 1880s. The photos were all taken by Morham, father and head of the household. Through his pictures we have a unique and unusually informal insight to Victorian family life.
Of the films Clare Padgett of Edinburgh Libraries commented: “We wanted to let more people see these amazing early photographs from our collections. And we realised that by making a narrative of the pictures through film, they could tell the story of the birth of photography, its use in social history and the camera’s role in recording everyday life. They offer a unique view of Victorian Edinburgh and the architectural and social change taking place at the time. But more than anything, they’re just wonderful pictures that are now available to everyone online.”